Written by experienced Film Studies authors and teachers, and endorsed by WJEC Eduqas, this key resource provides high-quality content, insight and analysis. // It provides you with the core knowledge and exemplification you need through your A Level Film Studies course and prepares you thoroughly for your final exams. // Richly illustrated with photographs that illustrate the key concepts, theories and critical scenes. // Provides study advice, interpretative guidance and an analysis of the practical skills required for the production element of the specification. // Includes study skills, practice questions and answers to introduce the assessment criteria and to build confidence. // Concepts are explored through in-depth case study chapters on 14 films from the specification including: Casablanca, Bonnie and Clyde, La La Land, Beasts of the Southern Wild, Trainspotting, Sightseers, Mustang, Taxi Tehran, Stories We Tell, Sunrise, Buster Keaton shorts, Pulp Fiction, Daisies and Saute ma Ville, as well as references to many other films. // Key definitions and independent activity suggestions introduce and reinforce the key terminology involved and broaden knowledge of the genres under study. // Stretch and Challenge activities enable a deeper understanding of the concepts and theories.

What is Counterculture? - It's an alternative lifestyle... - The ideas that spark a revolution... - A movement that changes the world... This new collection of essays celebrates the incredible originality of British post-war culture. British art, film, theatre, dance, literature and music have attracted international recognition, from the Angry Young Men to the Sex Pistols to Grayson Perry. Now gaming, the internet and social media enable creative communities to flourish and either fight for social justice - or just be entertained. Can we find the creative inspiration to succeed in a postcapitalist future?

Jane Campion is one of the few women film-makers working today who has managed to create a unique body of work. A true independent film-maker, yet she has attracted 'A' List Hollywood superstars to appear in her films. Who else but Jane Campion could have convinced a tattooed Harvey Keitel to run buck-naked through the New Zealand landscape in The Piano, or for the multi-award winning Kate Winslet to pee down her legs in the middle of the desert in Holy Smoke? This book will cover Jane Campion's remarkable career from her Palma D'or winning debut short film Peel to her recent return to television with the Top of the Lake, reflecting on the influence of her study in anthropology as well as her formative years growing up in New Zealand.

Ang Lee came to the forein the 1990s as one of the 'second wave' of Taiwanese directors. After studying at NewYork University, Lee returned to Taiwan where he directed Pushing Hands, The Wedding Banquet, Eat Drink Man Woman. Austen's Sense And Sensibility was a tremendous critical and commercial success. But it was his triumphant return to the East with Crouching Tiger, Hidden Dragon which has transformed him into an internationally successful director.

Written as part of the Worthing WOW festival celebrations, Electric Pictures commemorates 120 years of film in the Sussex coastal towns of Worthing and Shoreham, capturing the region's rich cinematic legacy and its place in British film history. From film-making pioneers through to blockbuster films and key events in the film history of the coast, this volume draws on research from film archives and local history resources to tell the story of the south coast film world. Richly illustrated and featuring contributions from local historians and film and theatre specialists, this book also includes an additional Heritage Trail guide that reveals key filming locations and the towns' cinemas.

Bio-pics: A Life in Pictures offers a series of case studies which throw light on this most unique of genres. Is the bio-pic a genre in its own right? Or are such films merely footnotes in other more traditional genres such as the western or costume drama, depending on the historical figure under scrutiny. Unlike other genre forms bio-pics seemingly share no familiar iconography, codes or conventions. They can be set anywhere and at any time. What links them is quite simply that the films depict the life of an 'important' person. Through a carefully selected range of thematically linked (English-language) bio-pics released since 1990 this book explores key issues surrounding their resurgence, narrative structure, production, subject representation or misrepresentation, and critical response. The films under discussion are grouped around a profession (writers, singers, politicians, sportsmen, criminals, artists) allowing for comparisons to be drawn in approaches to similar subject matter.